unissued
P-Vine PLP 2-704 (Jp 1976)Diving Duck DD 4314/5 (NL 1990)Wolf CD 120.614/5 (Austria 1998)
10 inch LP World Song WS 1 (Margaret and Irwin Goldsmith's label)
= Topic 10T59 (UK 1960)
other 'Folk Art' releases (http://koti.mbnet.fi/wdd/hankdavisbio11.htm): FLP 5001: Rev. Anthony Campbell, Calvin Morris, Hank Davis 'God Made The Blues' 45 FLP 5002: Rev. Anthony Campbell, Calvin Morris, Hank Davis 'How Long Have You Been A Negro? / Hit 'Em Again Lord' ( 7 inch 45 rpm) FLP 5003: Lightnin' Hopkins 'In Town' FLP 5004: Leadbelly 'I'm Never Gone
10 inch LP Cavalier CAV 5006 (US 1955) (red vinyl)
12 inch LP (=) Cavalier CVLP6009 (US 1957) (black vinyl)
(=) Folk Art FLP 5005 "God Made the Blues Volume 2" (1964)
notes by Philip F. Elwood (=) Arhoolie F 2009 (US 7/1967)
notes by Lester Koenig Good Time Jazz S-10031 (US 8/1958)
notes by Lester Koenig = Good Time Jazz L-12031(mono) (US)
notes by Lester Koenig = Good Time Jazz LAG 12159 (UK 1961)
= OBCCD-564-2 (US 1993)
= Doxy LP DOY676 (EU 2013)
7 inch 45 rpmGood Time Jazz GV2426
7 inch 45 rpmGood Time Jazz GV2427
notes by C.H. GarriguesContemporary S-10039
notes by C.H. Garrigues= Good Time Jazz M-12039= Good Time Jazz SGA 5021= Good Time Jazz LAG 12279 (1961)
= Good Time Jazz S 10039 (Jp)
= OBCCD-526-2
Prestige Folklore FL 14006= FL 14023
= Prestige PR 7718
= Stateside SL 10166 (UK 1965)
notes by Michael Goodwin (=) Fantasy DLP 24707 (US 1972) (along with Prestige PR 7368) "Brother Lowdown"
= Fantasy FCD 24707-2
notes by Lester KoenigGood Time Jazz S-10051
notes by Lester Koenig= Good Time Jazz M-12051
notes by Lester Koenig= Good Time Jazz LAG 574
= Ace CH 226 (UK 1987)
= OBC 537 (1992)
= OBCCD 537
7 inch 45 rpm Good Time Jazz 45100
notes by Harry Oster Folk Lyric FL 126 (US 11/1963)
Harry Oster discography
Folkways FA 2390 (US 1964)
= Disc D-113 (US 1965)
notes (January 1964) by John D. Monroe Prestige/Folklore FL 14023 (US 1964)
notes by Samuel Charters Prestige PR 7368 (US 5/1965)
= Stateside SL 10154 (UK 1965)
= Transatlantic PR 7368 (UK pressing 1968)
gatefold DLPnotes by Michael Goodwin (=) Fantasy DLP 24707 (US 1972) (along with Prestige Folklore FL 14006) "Brother Lowdown"
notes by Samuel Charters = OBC OBC-528 (US 1990)
= OBC OBCCD-528-2 (EU 1992)
Vanguard VRS-9185 (mono)VSD-79185 (stereo) (US 1965)
= Fontana TFL 6051 (UK)
notes by Joe Boyd Topic 12T134 (UK 1965)
notes by Joe Boyd and Val Wilmer(=) Fledg'ling FLED 3074 (UK 2009)
Fontana 687 364 TL
notes by Peter Clayton = Fontana TL5313
Fontana Records discography
7 inch 45 rpmFontana TF 821
2-disc packagenotes by Pete Welding Arhoolie R2001/2002
= Stateside SR-9323B (Jp 1972)
Arhoolie Records discography
gatefold DLP Poppy PYS-60.003 (US 1969)= RCA Victor 740 069 (France 1969)
= RCA Victor SHP-6124/25 (Jp)
= Tomato TOM-2-7006 (US 1978)
gatefold DLP = Tomato DLP 2696181 (Germany 1989)
2 CD setnotes by Bill Dahl = Tomato CD TOM-3001 (US 2002)
Transatlantic TRA SAM 5
read liner notes
Newport Folk Festival discographyMississippi John Hurt discographyReverend Gary Davis discographyReverend Robert Wilkins discographySkip James discographySleepy John Estes discographyYank Rachell discographyHammie Nixon discographyRobert Pete Williams discographyJesse Fuller discographyJohn P. Hammond discographyDave Van Ronk discography, Vanguard 3VCD 193/95-2] @ youtube Otis Rush - I't's A Mean Old World
Vanguard VCD 25/26: Homesick James - Set A Date (2:44) John Lee Hooker - Dusty Road (3:05) Muddy Waters - Nineteen Years Old (4:55) Jesse Fuller - San Francisco Bay Blues (2:40) Mance Lipscomb - Blues In G (3:33) Mississippi John Hurt - Moanin' The Blues (3:15) Johnny Shines - Dynaflow Blues (2:35) Sonny Terry - Mountain Blues (3:04) Joe Turner & Pete Johnson - It's All Right, Baby (2:30) Sonny Terry & Brownie McGhee - Key To The Highway (3:38) Otis Spann - Burning Fire (3:15) Lightning Hopkins - Cotton Field Blues (5:36) Big Bill Broonzy - Louise, Louise Blues (2:55) Johnny Young - Tighten Up On It (3:06) James Cotton - Ain't Nobody's Business (3:23) Jimmy Rushing - How Long, How Long Blues (4:45) Skip James - Cypress Grove Blues (4:10) J.B. Hutto - Please Help (2:52) Fred McDowell - Fred's Rambling Blues (2:05) Robert Pete Williams - On My Way From Texas (3:43) Otis Rush - It's A Mean Old World (2:22)
gatefold DLPnotes Leroy J. Pierson Vanguard VSD 25/26 (US 1972)
gatefold DLPnotes Leroy J. Pierson = Vanguard VSD 25/26 (Fr 1972)
DLP, no gatefold, but 2-page leaflet notes Leroy J. Pierson Vanguard VSD 25/26 (US 1986)
notes Leroy J. Pierson (=) Vanguard VCD 25/26 (US 1988)
lots of further editions at www.discogs.com
inner gatefold
DLP Bellaphon/Fantasy BJS 4071 (Germany 1972)
= Bellaphon/Fantasy BBS 2502
2 LP set P-Vine Special PLP 2-704 (Jp 1976)
(=) P-Vine PCD-2008 (Jp 1988)
notes (November 1989) by Chris Bentley (=) Diving Duck DD 4314 (NL 1990) "Mr. Fullbright's Blues Vol. 1"
notes (November 1989) by Chris Bentley (=) Diving Duck DD 4315 (NL 1990) "Mr. Fullbright's Blues Vol. 2"
(=) Wolf CD 120.614 (Austria 1994),(=) Wolf CD 120.615, 120616 (Austria 1998) "Elko Blues Vols. 1, 2 & 3"
Elko Records discography
notes by Sam Charters Vanguard VCD 115/16 (US 1991)
Newport Folk Festival discographyMississippi John Hurt discographyReverend Gary Davis discographyReverend Robert Wilkins discographySkip James discographySleepy John Estes discographyYank Rachell discographyHammie Nixon discographyRobert Pete Williams discographyJohn P. Hammond discographyDave Van Ronk discography
Lake LACD24
notes by Harry Osterand Chris Strachwitz Arhoolie CD-360
2 CD setnotes (May 1993) by Mary Katherine Aldin Vanguard VCD2-77005 (US/Germany 1993)
(=) Vanguard VCD 73133-2 (US 1997) "part one"
(=) Vanguard VCD 73134-2 (US 1997) "part two"
notes by Samuel Charters Prestige PRCD 9902-2 (US 1995)
= Big Beat CDWIKD 135 (UK 1995)
Bluesville Records discographyDave Van Ronk discographyEric von Schmidt discographyLarry Johnson discographyDanny Kalb discography
Wolf CD 120.614/615
= Diving Duck DD 4314/5"Mr. Fullbright's BluesVols. 1 & 2"
box prod. by Ralph Kaffel
4 disc box setFantasy 4GTJCD 4416-2
www.fantasyjazz.com
Arhoolie CD 101 (US 1996)
Prestige PRCD-9918-2 (US 1998)
Bluesville Records discography
5 CD box66-pp. booklet by Chris Strachwitz, Ry Cooder, Bonnie Raitt & Elijah Wald Arhoolie CD 491 (US 2000)
3 CD setnotes by John Milward Vanguard 3VCD193/95-2 (US 2001)
3-CD Setnotes by Ed Ward Vanguard 3VCD 208-10 (Germany 2002) = Vanguard CD 79715 (US 2003)
Topic 12T134 (UK 1965)
notes by Joe Boydand Val Wilmer Fledg'ling FLED 3074 (UK 2009)
thanks to Alan Balfour, John Clarke and Andrew Cohen for additional info / scans
Jesse Fuller outside the family home of Val Wilmer in Streatham, London, March 1960source: David Harrison: Die Legenden des Blues - Eine Hommage in BildernKönigswinter (HEEL-Verlag) 1995, p. 62; photographer: Val Wilmer
Jesse Fuller cooking breakfast in Streatham, London, UK(at Val Wilmers' then home), 1960source: Val Wilmer: Mama Said There'd Be Days Like This - My Life in the Jazz World.-London (The Women's Press) 1991, photo pages no #; photographer: Val Wilmer
Jesse Fuller playing his Silvertone which he bought at Sears in Detroit in 1962 after his "Maurer" 12-string guitar had been stolensource: Front cover of Fantasy 24707; photographer: Stephen Shames"This guitar was built in about 1962; Harmony did not produce electric 12-strings in the 1950s.I was with Jesse Fuller the day (in 1962) his original Maurer guitar was stolen, in Detroit, where he was for a playing engagement. In order to make the show that night, he simply drove out to Sears and bought this guitar. Feel free to get in touch if you want more info." (Paul Hostetter 2013 at https://americanhistory.si.edu/collections/search/object/nmah_607587"This Silvertone guitar is a non-stock creation. It is possible that it was cobbled together by adding a 12-string headstock to a Harmony-built Silvertone 1427 body (with the metal Silvertone logo transferred from the stock six-string headstock), but Sears never made *any* electric 12-strings available as a stock item (and acoustic 12-strings did not appear at Sears until 1967). The last catalog appearance of this model was Spring/Summer 1961. As for the build date of this instrument, there should be a date stamp as well as a serial/model number visible inside the body." (Randy Holmes, 2014 at https://americanhistory.si.edu/collections/search/object/nmah_607587)
"This guitar was built in about 1962; Harmony did not produce electric 12-strings in the 1950s.I was with Jesse Fuller the day (in 1962) his original Maurer guitar was stolen, in Detroit, where he was for a playing engagement. In order to make the show that night, he simply drove out to Sears and bought this guitar. Feel free to get in touch if you want more info." (Paul Hostetter 2013 at https://americanhistory.si.edu/collections/search/object/nmah_607587"This Silvertone guitar is a non-stock creation. It is possible that it was cobbled together by adding a 12-string headstock to a Harmony-built Silvertone 1427 body (with the metal Silvertone logo transferred from the stock six-string headstock), but Sears never made *any* electric 12-strings available as a stock item (and acoustic 12-strings did not appear at Sears until 1967). The last catalog appearance of this model was Spring/Summer 1961. As for the build date of this instrument, there should be a date stamp as well as a serial/model number visible inside the body." (Randy Holmes, 2014 at https://americanhistory.si.edu/collections/search/object/nmah_607587)
Jesse Fuller appeared as a film extra in"Thief of Baghdad" (Raoul Walsh 1924, silent film),"East of Suez" (Raoul Walsh 1925, silent film),"Hearts in Dixie" (Paul Sloane 1929),"End of the World" (Abel Gance 1934),"The Great White Hope" (Martin Ritt 1970; song "Let Me Hold You In My Arms Tonight")