Paramount 12792 (US 7/1929)
July 27, 1929 advertisement for Paramount 12792 in The Chicago Defender; source: Samuel Charters: The Bluesmen - The story and the music of the men who made the Blues.- New York (Oak Publications) 1967, p. 45
Paramount 12799
as by "The Masked Marvel"
as by "Charley Patton"Paramount 12805 (US 9/1929)
September 14, 1929 advertisement for Paramount 12805 in The Chicago Defender; source: Samuel Charters: The Bluesmen - The story and the music of the men who made the Blues.- New York (Oak Publications) 1967, p. 47
Paramount 12854 (US 11/1929)
November 23, 1929 advertisement for Paramount 12854 in The Chicago Defender; source: Samuel Charters: The Bluesmen - The story and the music of the men who made the Blues.- New York (Oak Publications) 1967, p. 47
Paramount 12869 (US 1/1930)
January 11, 1930 advertisement for Paramount 12869 in The Chicago Defender; source: Samuel Charters: The Bluesmen - The story and the music of the men who made the Blues.- New York (Oak Publications) 1967, p. 46
Paramount 12877 (US 2/1930)
February 1, 1930 advertisement for Paramount 12877 in The Chicago Defender; source: Samuel Charters: The Bluesmen - The story and the music of the men who made the Blues.- New York (Oak Publications) 1967, p. 46
Paramount 12883
= Herwin 92036 (as by Charley Peters)
Paramount 12909
April 12, 1930 advertisement for Paramount 12909 in The Chicago Defender; source:
Paramount 12912
Paramount 12924
Paramount 12940
Paramount 12943
Paramount 12953
Paramount 12972
Paramount 12986
Paramount 12986-B L62-2
Paramount 12998
Paramount 13014
Paramount 13031
Paramount 13040
Paramount 13070
Paramount 13080
Paramount 13110
Paramount 13133
Vocalion 02650
ARC unissued
Vocalion 02651
advertisement for Vocalion 02651 & 02680; source:
Vocalion 02680
Vocalion 02782
label pictures from Revenant RVN-CD-212Vocalion 02904
Vocalion 02931
Origin Jazz Library OJL 1 "Charlie Patton! 1929-32" (US 4/1961)
5 page booklet notes by Bernard Klatzko Origin Jazz Library OJL 1 (US 1962)
5 page booklet notes by Bernard Klatzko Origin Jazz Library OJL 1 (US 1964?)
notes by David Evans (reprinted from Blues World Booklet No. 2, 1969; revised 1977) Origin Jazz Library OJL 1 (US 1977)
OJL Records discography
7 inch EP 45 rpmnotes by Tony Standish Heritage RE-104 (UK 1962)
Heritage Records discography
booklet notes by Bernard Klatzko Origin Jazz Library OJL 7 (US 1964)
notes by David Evans (reprinted from Blues World Booklet No. 2, 1969; revised 1977) Origin Jazz Library OJL 7 (US 1977)
notes by David Evans and Bill Givens Origin Jazz Library OJL-11
Origin Jazz Library OJL-11
broschure notes (for Nos. 1 & 2) by Bernard Klatzko & Gayle Dean Wardlowlater: new notes (leaflet) by Pete Welding later Origin Jazz Library OJL 12 (US 1966 ff.)
notes by Pete Welding = Origin Jazz Library OJL 12 (US 19??)
notes by Bernard Klatzko & Gayle Dean Wardlow Origin Jazz Library OJL 13
notes by Pete Welding Origin Jazz Library OJL 13
Roots RL-302 (Austria 1967, 1st pressing) [line of front cover text in black]
Roots RL-302 (Austria 1968, 2nd pressing) [line of front cover text in red]
Roots RL-302 (Austria 19??, 3rd pressing) [line of front cover text in red]
= autogram/Roots RL-302 (Germany 2013)
Roots Records discography
Roots RL-303 (1st pressing 1967) [line of cover text in black]
Roots RL-303 (2nd pressing 1968) [line of cover text in blue]
= autogram/Roots RL-303 (Germany 19??)
notes by Bradley Sweet [= Stephen Calt] 390 East 8th St Belzona L-1001 (US 1967)
there were specimen with "Belzona" covers and "Yazoo" labels sold!
notes by Bradley Sweet [= Stephen Calt] 390 East 8th St = Yazoo L-1001 (US 1968)
notes by Bradley Sweet [= Stephen Calt] 54 King St = Yazoo L-1001 (US 196?)
notes by Bradley Sweet [= Stephen Calt] 245 Waverly Place = Yazoo L-1001 (US 196?)
notes by Bradley Sweet [= Stephen Calt] 37 E. Clinton St, Newton, NJ = Yazoo 1001HLP (US 2011) [180g reissue LP]
Yazoo Records discography
notes by Brad Sweet (= Stephen Calt) "Yazoo Records, 390 East 8th Street, New York, N.Y. 10009" Yazoo L 1009 (US 1968) original press, cover font and small / large Yazoo logo in red; black labels
notes by Steve Calt "Yazoo Records, 54 King Street – New York, N.Y. 10014" Yazoo L 1009 (US 1971 ff.) cover font and large Yazoo logo in orange; black and red labels
notes by Steve Calt "Yazoo Records, 54 King Street – New York, N.Y. 10014" = Yazoo L 1009 (US 19??) cover font and small Yazoo logo in blue; black labels
notes by Steve Calt "Yazoo Records, 245 Waverly Place, New York, N.Y. 10014" = Yazoo L 1009 (US 19??) cover font and small Yazoo logo in orange; peacock labels, catalog # on labels printed to the left
notes by Steve Calt "Yazoo Records, P.O Box 810, Newton, New Jersey 07860" = Yazoo/Shanachie L 1009 (US early 1990s) cover font and small Yazoo logo in blue; peacock labels, catalog # on labels printed to the right
notes by Steve Calt = Yazoo L 1009 (US 1991)
notes by Stephen Calt = Yazoo CD 1009 (US 1991)
Yazoo Records discographyMississippi John Hurt discographyBukka White discographyMattie Delaney discographyRube Lacey discographySkip James discographySon House discographyPapa Harvey Hull discographyMississippi Joe Callicott discographyBlind Willie Reynolds discography
Roots RL 319 (Austria 1969)
= autogram/Roots RL 319 (Germany 2009)
Yazoo L-1020 (1st release 1970) inner gatefold with attached booklet
Yazoo L-1020 (2nd release 198?) inner gatefold (no booklet!)
Charley Patton discography
DLPinner gatefold plus 8 pp. booklet containing notes & lyrics by Stephen Calt, Jerry Epstein, John Fahey, Don Kent, Nick Perls, Michael Stewart & Alan Wilson Yazoo L-1020 (1st rel. 1970) [28 tracks]
Yazoo L-1020 (1st rel. repr.)
= Yazoo L-1020(2nd rel. 198?) [28 tracks]
= Yazoo 1020 cassette(1988) [28 tracks]
(=) Yazoo CD 1020 [1989][24 tracks only!]
= Vivid VSCD-1085 (Jp 1989)
(=) Yazoo CD 2001 (1991"King Of The Delta Blues"[23 tracks!]
notes by Stephen Calt (=) Yazoo CD 2010 (1995"Founder of The Delta Blues"[26 tracks!]
notes by Stephen Calt (=) Yazoo 1020HLP (2011[180g DLP, no gatefold][28 tracks]
notes by Stephen Calt, Nick Perls & Michael Stewart "54 King Street, New York, N.Y. 10014" Yazoo L-1022 (US 1970)
notes by Stephen Calt, Nick Perls & Michael Stewart "54 King Street, New York, N.Y. 10014" or "245 Waverly Place, New York, N.Y. 10014" Yazoo L-1022 (US 1970?)
notes by Stephen Calt, Nick Perls & Michael Stewart "54 King Street, New York, N.Y. 10014" or "245 Waverly Place, New York, N.Y. 10014" Yazoo L-1022 (US 1971)
notes by Stephen Calt, Nick Perls & Michael Stewart "245 Waverly Place, New York, N.Y. 10014" "Jacket made in Canada" on back cover, bottom right Yazoo L-1022 (US 1989)
Yazoo Records discographyBo Weavil Jackson discographyJaybird Coleman discographyBlind Lemon Jefferson discography
Roots RL 339 (A
notes by Mike Stewart& Don Kent [OCRed &posted at weeniecampbellby Alan Balfour] Mamlish S-3802 (US 197?)
Mamlish Records discography
notes by Bernard Klatzko Herwin H 201
Herwin Records discography
For Specialists Only FSO-001 (Austria [Paltram/Roots] 1972)
Herwin H 213 inner gatefold
notes (June 1977by Don Kent Herwin H 213
7 inch flexible EPEva-Tone MAL 771
Wolf WSE 103
DLPnotes by Paul Oliver Matchbox MSEX 2001/2002 (UK 1984)
This set is issued to complement the book "Songsters & Saints: Vocal Traditions On Race Records" by Paul Oliver, Cambridge (Cambridge University Press) 1984
Matchbox Records discography
notes by Stephen Calt 245 Waverly Place, New York, N.Y. 10014 Yazoo L 1073 (US 1986)
= Yazoo CD 1073 YAZ (US 1990)
Document DLP 532 (Austria 1988)
Document Records discography
3 LP set with 24-pp. booklet notes (English and German) by Paul Oliver RST Blues Documents BD-01 (Austria 1990)
3 CD setnotes by Paul Oliver Vol. 1: 1927-1930 Vol. 2: 1927-1936 Vol. 3: 1929-1956= Story Of Blues/Da Music 3521/3522/3523 (Austria 1992)
= Century Media SOB 3521-2/3522-2/3523-2 (1994)
3 CD set = 1201 Music 7002-2 (US 1999)
notes by Paul Oliver Columbia LP C/AL 46215 (US 1990)
notes by Paul Oliver = Columbia/Legacy CD CK 46215 (US 1990)
notes by Paul Oliver = CBS/Legacy CD 467245 (EU 1990)
= CBS/Sony CSCS 5323 (Jp 1990)
notes by Neil Slaven (=) SPV Blue SPV 91722 (Germany/Poland 2008)
20 CD box set, CD 5 (=) Sony Music 88875043322 (US 2014) (Roots n' Blues series)
notes by Richard Spottswood CBS LP C 46218 (US 1990)= CBS LP 268.064 (UK 1990) (Roots n' Blues series)
notes by Richard Spottswood = CBS CD CK46218 (US 1990)= CBS CD 467251 (EU 1990) (Roots n' Blues series)
= CBS/Sony CSCS 5327 (Jp 1990)
= Columbia WCK 46218 (Ca 1990)
= Columbia 493345 2 (UK 1998)
notes by Neil Slaven = SPV GmbH/Blue Label CD SPV 42492 (Germany 2008) (Roots n' Blues series)
20 CD box set, CD 8notes by Dean Rudland (=) Sony Music 88875043322 (US 2014) (Roots n' Blues series)
notes by Bob Groom Document DOCD-5009 (Austria 1990)
notes by Bob Groom = Document DOCD-5009 (UK 20??)
notes by Bob Groom Document DOCD-5010 (Austria 1990)
notes by Bob Groom= Document DOCD-5010 (UK 20??))
notes by Bob Groom Document DOCD-5011 (Austria 1990)
notes by Bob Groom = Document DOCD-5011 (UK 20??)
notes by Don KentYazoo CD 2002
Editions Atlas BLU-CD 3049 (Fr 1992)
= Orbis BLU NC 049 (UK 1995)
Orbis BLU GNC 047 (UK & EUR 1996)
4 disc setnotes by Lawrence Cohn and Pete Welding Columbia Legacy 47911/47912-15 (US 1992)
20 CD box set (=) Sony Music 88875043322 (US 2014)
notes by Roger Misiewicz Document DOCD 5150 (Austria 1993)
notes by Guido van Rijn Document DOCD 5216 (Austria 1994)
notes by Guido van Rijn Document DOCD-5276 (Austria 1994)
notes by John Tottenham Black Swan HCD-23 (US 1995) (US 1995)
3 CD box setCatfish KATCD 107 (UK 1998)
Catfish Records (UK) discography
Catfish KATCD 123 (UK 1999)
Yazoo CD 2048 (US 1999)
Catfish KATCD 139 (UK 2000)
Catfish KATCD 157 (UK 2000)
Catfish KATCD 159 (UK 2000)
Catfish CD 160 (UK 2000)
2 CD setCatfish KATCD 170 (UK 2000)
4 CD boxCatfish KATX1 (UK 2000)
Catfish KATCD 171 (UK 200?)
Catfish KATCD 174 (UK 2001)
3 CD setnotes by Keith Briggs & Alex van der TuukCatfish KATCD 180 (UK 2001)
7 CD albumnotes by David Evans, John Fahey, Ed Komara & Dick Spottswood Revenant RVN-CD-212 (US 2001)
Catfish KATCD 216 (UK 2002)
P-Vine PCD-2250 (Jp 2002)
Yazoo CD 2063 (US 2002)
Yazoo CD 2064 (US 2002)
Blues Images Calendar Vol. 1 (rel. 2003, for 2004)
Blues Images CD BIM-101 (US 2003) accompanying Blues Images Calendar Vol. 1 (for 2004)
Blues Images calendar discography
Yazoo CD 2069 (US 2003)
Yazoo CD 3002 (US 2003)
3 CD setnotes by Neil Slaven Indigo IGOTCD 2560 (UK 2004)
Complete Blues SBLUECD005 (UK 2004)
Universe UV 105 (It 2004)
Proper INTRO CD 2040 (UK 2004)
Blues Images Calendar Vol. 2 (rel. 2004, for 2005)
Blues Images CD BIM-102 (US 2004) accompanying Blues Images Calendar Vol. 2 (for 2005)
Yazoo CD 2070 (US 2004)
Yazoo CD 2074 (US 2005)
Blues Images Calendar Vol. 3 (rel. 2005, for 2006)
Blues Images CD BIM-103 (US 2005) accompanying Blues Images Calendar Vol. 3 (for 2006)
180 g LP (=) Hi Horse Records HHO #3 (US 2015) (no calendar!)
HHO #3 @ Blues Images
Blues Images Calendar Vol. 4 (rel. 2006, for 2007)
Blues Images CD BIM-104 (US 2006) accompanying Blues Images Calendar Vol. 4 (for 2007)
5 CD setnotes by Ray TempletonJSP JSPCD 7702 (UK 2008)
Blues Images Calendar Vol. 6 (rel. 2008, for 2009)
Blues Images CD BIM-106 (US 2008) accompanying Blues Images Calendar Vol. 6 (for 2009)
Blues Images Calendar Vol. 7 (rel. 2009, for 2010)
Blues Images CD BIM-107 (US 2009) accompanying Blues Images Calendar Vol. 7 (for 2010)
4 LP boxset Monk MK300QLP (It 2009)
Monk MK304 (It 4/2009)
Monk MK307 (It 7/2009)
Monk MK308 (It 7/2009)
3 CD / DVD setProper PROPERBOX 151 (UK/EU 2009)
Monk MK311 (It 1/2010)
CD accompanying the Frog Blues and Jazz Annual - Vol. 1www.frogrecords.co.uk
Blues Images Calendar Vol. 8 (rel. 2010, for 2011)
Blues Images CD BIM-108 (US 2010) accompanying Blues Images Calendar Vol. 8 (for 2011)
Blues Images Calendar Vol. 9 (rel. 2011, for 2012)
Blues Images CD BIM-109 (US 2011) accompanying Blues Images Calendar Vol. 9 (for 2012)
2 CD setnotes by Dick Waterman and Bob GroomArcola ACD 1008 (US 2011)
www.arcolarecords.com
Blues Images Calendar Vol. 10 (rel. 2012, for 2013)
Blues Images CD BIM-110 (US 2012) accompanying Blues Images Calendar Vol. 10 (for 2013)
54-pp. booklet with stories and anecdotes of shellac collectors Yazoo CD 2203 (US 9/2012)
Third ManTMR154 (US 2013)
Third Man TMR172 (US 2013)
Third Man TMR180 (US 8/2013)
Blues Images Calendar Vol. 11 (rel. 2013, for 2014)
Blues Images CD BIM-111 (US 2013) accompanying Blues Images Calendar Vol. 11 (for 2014)
2 CD setNot Now Music NOT2CD 508 (UK 2013)
Third Man TMR189 (US 1/2014)
Blues Images Calendar Vol. 14 (rel. 2016, for 2017)
Blues Images CD BIM-114 (US 2016) accompanying Blues Images Calendar Vol. 14 (for 2017)
5 CD set American Epic AMPC451 (US 2017)
tribute albums
notes by Steve JamesTelarc CD-83535
thanks to David J Costa, John Tefteller, Izumi Kinoshita, Phil Wight, Alex van der Tuuk, Buddy O. Wardlow, Bruce Conforth, Russell Shor, Charles Howard, Howard Rye, Eric Simkin and Jeff Harris for additional info / scans
The book above is 'published' here for private research only. While of historical interest, it may contain factual errors only revealed by later research.Be advised that more recent reference works should be consulted regarding factual points such as spelling of names, dates of birth, dates of recordings.
Charley Patton portrait (!)
Here's what Gayle Dean Wardlow (aka "TallahatchieTrot"), who found the portrait in 1967, wrote about its discovery at weeniecampbell.com (a few typos corrected by Stefan Wirz): "Blues Fans-Let me tell you the story behind the portrait. I was talking to Hayes McMullan and Willie Moore in Summer in 1967 and they both said a woman who just died on this plantation has a photo of Patton. I said let's go down to the house and look at it. When I got there the grandaughter had the portrait and it was in two pieces. I said to Hayes that can't be Charlie. He said 'that's naturally him Mr Wardlow. He looked just like one of those Mexicans when I knew him. He always had a mustache too when I played with him.' The grandaughter said her grandmother dated/married Patton in about 1910 and the photo was taken in Oxford in the hill country and was then made into a portrait. He would have been about 20 when this relationship occurred. He left her and broke her heart and she never married again but kept the portrait til she died. You will notice that the ears look the same and just below the bottom lip to the chin is the same indentation. I have somewhere on one of the Hayes or Moore tapes one of them declaring it was Patton when he was about 20 to 24 years old as I thought no one will believe this is Patton. It was retouched from a photo to a portrait and the hair doesn't look kinky as a black man has. But Hayes always said Mr Wardlow if that man hadn't had kinky hair he could have passed for white. Also remember Howlin' Wolf has been quoted as saying Patton looked like a Puerto Rician. It would have been foolish for me to try and pass off a photo of some Italian as Patton. What would I have gained from that. Nothing but criticism. I only wanted to show how he looked in his very early 20s. But Hayes and Mooore both said that's Charlie Patton when he was young." ... and later: "I have been asked by a few younger blues fans to explain the background of the Patton portrait that first appeared in the 1988 Charley Patton book I authored with Stephen Calt and was bootlegged by Document Records for their Patton releases. I found the portrait--not a photo-on a plantation at Sumner, Miss. in 1967 after Willie Moore and Hayes McMullan both of whom had played with Patton told me a lady on the plantation had just died and she had a picture of Patton. They went with me to see the grandaughter of Lizzie Taylor. The portrait was done around 1908 to 1910 when Patton was in his early 20s at Oxford in the hill country when she was married to him. It was in two pieces. I had doubts when I saw it that it could be Patton. But Hayes said to me. 'That's naturally Charley Patton. He always wore a mustache when I played with him' and Hayes played with Patton twice in 1929 and 1930. He looked just like one of those Mexicans, Hayes said. I had doubts that readers of the book would accept the photo as Patton but as there was only one other photo--the 1929 Paramount headshot of Patton-- we printed it in the 1988 book and noted it was a heavily retouched photo. You must look at the ears and forehead and at the indentation in the chin to see the similarities of the 1910 photo and the 1929 one after Patton had 20 years of heavy drinking and living behind him. Also they brushed the hair across without a part or showing his kinky curls and it makes him look like an Italian. Moore's comments to Lizzie Washington when she was alive about the photo being Patton are on the interview tapes at MTSU where she said Patton was her husband and he had the portrait made for her. I can assure you I realized there would be doubt and questions about the portrtait being Patton but I was willing to take that risk. It would have been easier to not even have included it in the book. But I did for blues lovers like you on this forum. I still have the portrait today unrestored." ... and later: "Thought I would just add this comment. It is a portrait on a piece of what I call cardboard. That I assume is how portraits were done in the early 1900s. It was definitely not a PHOTO but a portrait as I understand what a portrait is. It was broken in two pieces when I got and it is still in 2 pieces. I do not know if a photo was first taken and then the artist/photographer did a portrait from it or how they did portraits in those years. It does not look to be like a painting or a drawing. It certainly looked to be retouched however since they covered up his curly/kinky hair and didn't show it. I will go to my online tapes at MTSU and find the exact place at the end of one of the inerview tapes where I interviewed briefly the daughter of the woman who had the portrait and let you'll listen to her comments about the portrait which all 3 of them--Willie Moore/Hayes McMullan called a picture. The portrait is on cardboard about 1/4 inch thick. The ears/the identation in the chin and the large forehead were the items I found that made it appear to be Patton to me besides Moore/McMullan personally saying it was the Patton they both knew. --that he always had a mustache also when they saw him. gdw" ... and later: "There's no way to scan the original portrait. It is two pieces and badly warped. When we used it in the Patton book, I took a photo of the portrait and slid the 2 pieces together and sent the photo to Yazoo records owner Rich Nevins who had the photo of the portrait touched up to take out the crack where the 2 pieces joined. It IS NOT a drawing but a portrait that must have come from a photo whereas today if you have a photo taken they will touch up the photo to make it look better. Until I can find a professional restorer to flatten and glue the pieces back together there is no way to put it under a scanner. It is warped at least one inch in a curve and was found that way as the original frame it was in had been busted and it was simply sitting on a mantle in the heat and winter of an unheated sharecropper house and actually been broken in to two pieces across the lower jaws, I'm only glad I was able to save it as it was before it was totally destroyed. Several pieces of it around the face were already gone. There is noone in the Pensacola, Fla area where I live who restores old potraits. I plan to donate it to a blues museum eventually and will let them pay the costs of restoration. But again it is not a drawing or a painting by an artist but a portrait like you see of someone's grandparents from the early 1900s that you will see in frames in antique stores. Thanks for the enquiry anyways."